L 29/32 EN Official Journal of the European Union 4.2.2016 S ect i on 2 Sta n da r d s co n cer ning inte ll ect ua l pr o pe r ty r ig hts COPYRIGHT AND RELATED RIGHTS Article 65 Protection granted Each Party shall comply with the rights and obligations set out in the following international agreements: (a) the Berne Convention for the Protection of Literary and Artistic Works (Berne Convention); (b) the International Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organi­ zations (Rome Convention); (c) the World Intellectual Property Organization (WIPO) Copyright Treaty; (d) the WIPO Performances and Phonograms Treaty; (e) the TRIPS Agreement. Article 66 Authors Each Party shall, as regards authors, provide for the exclusive right to authorise or prohibit: (a) the direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of their works; (b) any form of distribution to the public by sale or otherwise of the original of their works or of copies thereof; (c) any communication to the public of their works, by wire or wireless means, including the making available to the public of their works in such a way that members of the public may access them from a place and at a time individually chosen by them. Article 67 Performers Each Party shall, as regards performers, provide for the exclusive right to authorise or prohibit: (a) the fixation (1) of their performances; (b) the direct or indirect, temporary or permanent, reproduction by any means and in any form, in whole or in part, of fixations of their performances; (c) the distribution to the public, by sale or otherwise, of fixations of their performances; (d) the making available to the public, by wire or wireless means, in such a way that members of the public may access them from a place and at a time individually chosen by them, of fixations of their performances; (e) the broadcasting by wireless means and the communication to the public of their performances, except where the performance is itself already a broadcast performance or is made from a fixation. (1) For the purposes of this Chapter, ‘fixation’ means the embodiment of sounds, or of the representations thereof, from which they can be perceived, reproduced or communicated through a device.